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・ Sonasid
・ Sonat
・ Sonata
・ Sonata (building design software)
・ Sonata (disambiguation)
・ Sonata (Moonlight)
・ Sonata (play)
・ Sonata a la Española
・ Sonata Arctica
・ Sonata Arctica discography
・ Sonata cycle
・ Sonata da camera
・ Sonata da chiesa
・ Sonata de otoño
・ Sonata for Clarinet (Cage)
Sonata for Clarinet and Piano (Bernstein)
・ Sonata for flute, oboe, clarinet and piano (Milhaud)
・ Sonata for flute, viola and harp (Debussy)
・ Sonata for guitar (Ginastera)
・ Sonata for Microtonal Piano (Ben Johnston)
・ Sonata for Solo Cello (Crumb)
・ Sonata for Solo Cello (Kodály)
・ Sonata for Solo Cello (Ligeti)
・ Sonata for Solo Violin
・ Sonata for Solo Violin (Bartók)
・ Sonata for Solo Violin (Prokofiev)
・ Sonata for Two Pianos (Goeyvaerts)
・ Sonata for Two Pianos (Stravinsky)
・ Sonata for Two Pianos (Tailleferre)
・ Sonata for Two Pianos and Percussion


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Sonata for Clarinet and Piano (Bernstein) : ウィキペディア英語版
Sonata for Clarinet and Piano (Bernstein)
Leonard Bernstein's ''Sonata for Clarinet and Piano'', written during 1941-42 and published in 1942, was Bernstein's first published piece.〔(【引用サイトリンク】 title=Leonard Bernstein Timeline )〕 It is dedicated to clarinetist David Oppenheim, whom Bernstein met while studying conducting with Serge Koussevitzky at Tanglewood during the summers of 1940 and 1941.
==Form==
The piece is about ten minutes in length and consists of two consecutive movements. The first movement is a lyrical ''grazioso,'' opening with a musical line reminiscent of Hindemith, who was the composer-in-residence at Tanglewood in 1941, and hinting at the influence of Copland and the idyllic Tanglewood atmosphere. The second movement begins ''andantino'' (time signature 3/8) and moves into a fast ''Vivace a leggiero'' after a tranquil opening. This movement is predominantly in 5/8 but also changes between 3/8, 4/8 & 7/8 throughout the piece and foreshadows Bernstein's work in ''West Side Story'', with a walking bass line and syncopations.〔(【引用サイトリンク】 title=Richard Stoltzman Copland Clarinet Concerto RCA B000003FJP )〕 Later the more reflective mood of the first movement recurs, with a Latin-infused bridge passage that reflected the time Bernstein spent in Key West in the early compositional stages, before finishing in a flourish.〔

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